To review this place in depth the way the usual audiences expect their write-ups would inevitably require extensive use of spoilers. And that’d be a rather D-bag thing to do to people holding active reservations.
And extensive use of the company expense account, which most print publications these days do not have a big one. At least not for the Food or Life & Style sections.
Agreed, that’s the bottom line for me, too. Presentation sounds even more elaborate than those places. Apparently, you move throughout the building for different courses. Sounds almost like the SF Gelinaz dinner where you walked between Benu and In Situ, including through a Serra sculpture in MOMA.
Just reporting how it was described by someone I know who went. They actually enjoyed the unorthodox presentation but thought the food was weak. I gather you’ve gone yourself? What did you think of the dramatic presentation aspect?
Here’s the thing I don’t understand. At El Bulli the food was all about surprises, unique techniques, and deliciousness. However it was extensively reviewed and photographed, hell they even documented themselves and released recipies. Becuase the food stood on its own there was no issue. I really actually wanted to try Vespertine but honestly having heard about the ambience, music and overall pretentiousness (in the literal sense of the word) I’m kinda worried, and look forward to some feedback over whether it’s worth the price.
So far I have not really heard anyone describe the food as delicious. Or even describe it at all. To me that is perplexing! Probably won’t understand why until I try it myself.
Huh. Interesting. The way it was described to me, a team of servers dressed in Mad Max garb descends on the table in total silence to deliver the plates, then retreats with heads bowed. As they go, one raises his head to solemnly intone the name of the dish. It sounded like high school dramatic interp.
Not your experience?
Yikes. But at least not bland. And I actually liked Red Medicine. I have to admit, I’m still intrigued.