Sushi Sho (Yotsuya): Tokyo 0-star Michelin export coming to Waikiki Ritz, Summer 2016

Anyone have plans to check it out when they open? Looks like chef Keiji Nakazawa will be relocating from Tokyo to helm the launch

Blog pics from Tokyo branch

I posted my review on the other board, will migrate it over. In short: it is excellent and very unique.

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Reporting back from my recent trip to Honolulu…

Sushi Sho (at the Ritz Carlton, Waikiki)

Keiji Nakazawa is a vertiable sushi legend in Tokyo, and our meal in his new Honolulu location was a masterclass in technique and his creative but balanced style.

Sushi Sho just opened in the new Ritz Carlton, Waikiki about a month ago, but this branch has been in the works for over 2 years. During that time, Nakazawa-san and his talented team studied the local ingredients, and the result is a menu that seamlessly integrates elements of Hawaii with traditional Edomae sushi and their distinctive, creative style. This restaurant is ostensibly Sushi Sho but also uniquely expressive of its location. Sushi is presented on Big Island koa wood “geta,” which rests flatly on the gorgeous Japanese hinoki (cypress) wood sushi bar. The 10-seat bar is a facsimile of that from the original Yotsuya location, but the impressive wood relief carved refrigerator behind it imagines Hanaya Yohei, the storied pioneer of Edomae sushi, fishing for local Hawaiian Moi (the “king’s fish,” pacific threadfin). Moi would later make an appearance as nigirizushi, in a unique preparation with nods to traditional Japanese preservation techniques. But Sushi Sho isn’t just safeguarding tradition; they’re writing a new chapter in the history books of sushi in America.

The sushi is expertly crafted here with textbook knifework and hand-pressing. The rice is noteworthy: “nebari” is was excellent - a product of not only their strong awasezu (seasoning vinegar for sushi rice), but also the deft hands of the sushi chef Taku-san, who himself has a 2 Michelin star sushi restaurant in Tokyo, Sushi Taku. A new edobitsu of sushi rice is summoned for virtually each new piece of sushi prepared, so the rice is always at the proper temperature.

That’s because the sushi is interspersed among various otsumami, which could just as well be the forte here. The offerings are diverse, and the meal is more than just sushi. The otsumami are uniquely Sho - like lobster marinated in its own “miso” (head innards) and xiaoxing wine, paired expertly (off the cuff by Taku-san, who is also a sommelier) with Kokuryu’s “Ryu” daiginjo (layered and crisp with a dry, flinty finish that was the perfect complement to the slippery, sweet, and near offal lobster). Just as the meal weaves between nigiri and otsumami, it also balances Japanese classics with foods evocative of Hawaii. Sushi Sho’s old-style signature “ika no inrouzume” (squid roll stuffed with rice) appears with Hawaiian hearts of palm. There is “Poke 3 ways, Sho-style” of banana leaf-smoked salmon, local onaga with black salt, and ahi tuna with mustard and Maui onion. The dish of the night for me was warm salmon “Lau Lau, Sho-style,” wrapped in opah kama and luau leaf, accented by with bright “tosazu” gelee and atop a warm asparagus veloute. It looks almost like a gunkanmaki sushi, presents classic Western flavors (salmon with asparagus), and is a unique interpretation of an iconic Hawaiian dish. It is the pitch-perfect bonito vinegar gelee, however, that sealed the deal, by bridging the asparagus’s astringency with the sweet, rich meat of salmon and opah cheek. There are 3 textures, 3 temperatures, and 3 cultures represented here, all in beautiful balance.

The rice’s vinegar is notable, refreshing even, and at times providing a subtle reset between some of the stronger prepared dishes. The meal presents an interesting progression of contrasting textures and flavors, and the orchestration of otsumami in between nigiri worked well (most other places, like Kusakabe in San Francisco, are much less successful in my opinion). After the luscious “Lau Lau,” there was crunchy mirugai with Maui onion, followed by soft kasugodai (baby snapper) sprinkled with iri tamago soboro (vinegar-cured crumbled egg yolk). Lobster fermented in its innards and Chinese rice wine was followed by Moi, which acted as a palette cleanser of sorts, with its strong aged flavors (in kojizuke for 6 days, flash marinated in shoyuzuke, and topped with aged kelp). The exceptionally bright finger lime atop grilled opah belly lingered in the palette to match the following richly flavored sanma (pacific saury). It should be noted that while the rice’s texture and nebari remained very consistent, the awasezu was deliberately varied depending on the type of topping. This is another reason why I think the nigiri and otsumami are alternated, since a new serving of sushi rice is requested to match a specific type of fish.

Later in the meal, comparisons were even more discernible - a back to back duo of akami (lean bluefin tuna) from Boston and Oma, Japan (there was no comparison, really). Then, 10-day aged senaka akami from Oma (the best cut of lean bluefin tuna, from the back) that was the perfect marriage between fish, rice, and wasabi, because the qualities of each became so vivid, especially after just tasting two varieties of fresh, lean tuna. Santa Barbara and Hokkaido uni followed, then two types of tamago presented side by side. On the left, a Tokyo-style “kasutera” (castella cake) of local Poi (taro mash) and shrimp; on the right, a Kyoto-style “dashimaki” of eggs and shellfish broth. Perhaps the juxtaposition of the two may also be a metaphor of what Sushi Sho is accomplishing with its Honolulu branch - the Tokyo style kasutera style cake representing the “new,” with its infusion of Hawaii, and the Kyoto style omelet representing tradition. Sushi ended with Sushi Sho’s signature pieces: ankimo (monkfish liver) topped with with nara zuke (pickled baby watermelon, aged 3 years) and “ohagi” / “torotaku,” a minced toro tartare of sorts mixed with pickled daikon and Maui onion. Both contrast luscious and rich, creamy topping with crunchy pickles. A warm suimono (clear soup) of mebachi maguro (local bigeye / ahi tuna) and negi was comforting, while the iced dessert of kudzukiri (arrowroot ribbon noodles with kuromitsu, a caramel-like black sugar) was a refreshing ending to the ~30 course meal.

Sushi Sho is doing something very special here in Honolulu, and it might be the most unique sushiya in America.



This is just part of the meal (it’s 30 “courses”).

Salmon “Lau Lau” - WOW. 3 textures, 3 temperatures, 3 cultural flavor profiles, but it all works beautifully. Opah kama meat eats almost like the pork traditionally used to wrap the salmon. Warm asparagus veloute vs. cold tosazu gelee - strong texture contrast, but their pitches matched perfectly. IMO a 3 Michelin star level dish.

Baby white salmon. No shrimp in its diet yet, so it hasn’t turned pink.

Moi (Pacific Threadfin) marinated kojizuke for a week and then shoyuzuke for a few minutes, topped with aged kombu. It ate like rich hikarimono but with a flaky texture. I think we drank Suehiro “Ken” Daiginjo, which had an aromatic nose of melon but drank very cleanly.

Kasugodai (baby snapper) topped with iri tamago soboro (vinegared cured egg yolk crumble)

Ika no inrouzume (marinated squid wrapped rice roll with Hawaiian hearts of palm). I believe we drank Masumi Nagano Daiginjo. It had a nice citrus brightness that worked well with the squid’s tare sauce.

Lobster fermented in the head innards and marinated in xiaoxing wine and topped with sudachi zest. Served with Kokuryu, Ryu “Gold Dragon” Daiginjo sake (layers of complexity, with a crisp and flinty finish…GREAT pairing with the strong and slippery lobster)

Grilled opah belly with finger lime

Honmaguro Akami (lean bluefin tuna from Boston)

Honmaguro Chutoro (medium fatty bluefin tuna from Oma)

Honmaguro Akami, senaka cut aged 10 days (lean bluefin tuna, back cut, from Oma)

Ankimo with narazuke (Monkfish liver with pickled baby Japanese watermelon aged 3 YEARS)

Kasutera (Castella-cake style) tamago made with Hawaiian Poi (taro paste); Dashimaki tamago made with shellfish broth

Kudzukiri with kuromitsu (iced arrowroot starch noodles with black sugar). Cold and caramel-like, perfect with the hoji-cha (roasted tea) to close.

It’s hard to see, but if you look closely, you can see that the rice for the white salmon is different than the rice for some of the others. The rice was called out on the spot for each piece of sushi, which btw, did not usually come in succession, but instead was interspersed among various otsumami. There is a flow to the textures here; the progression seems random at first but it’s an orchestration of contrasts. Anyway, the sushi has to be pretty much textbook technical in execution for these contrasts to work, and it is (notice the different drape of the various cuts of tuna). The sushi is textbook in technique but the menu is very different. You don’t come here for a huge progression of nigiri - in fact, there wasn’t a ton of traditional fish variety - but for an exploration of a unique style that successfully pays homage to both Edo tradition and the Hawaiian locale.


Awesome pics.